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It’s crushingly good stuff, filled with tales of bad drugs, lost love, and itchy-footed songs about life in late ’60s inner-city America. “Gun sales are soaring\/Housewives find life boring\/Divorce the only answer\/Smoking causes cancer,” says the Dylan-esque Establishment Blues.\u003c\/p\u003e\n\u003cp\u003eBut the album sank without trace, thanks, in part, to some of Rodriguez’s more idiosyncratic behavior, like performing at an industry showcase with his back to the audience throughout. When the follow-up, 1972’s \u003cem\u003eComing From Reality\u003c\/em\u003e, also sold poorly, Rodriguez called an end to his recording career. He’d never even played a proper gig. And he got on with life. Over the years, he turned his hand to local politics, gaining a degree in philosophy, factory work and eventually, hard labour.\u003c\/p\u003e\n\u003cp\u003eAs his music career became a memory, Rodriguez’s legend was growing – on the other side of the world. In South Africa, Australia and New Zealand, \u003cem\u003eCold Fact\u003c\/em\u003e had become a major word of mouth success, particularly among young people in the South African armed forces, who identified with its counter-cultural bent. But Rodriguez was an enigma – not even the label knew where to find him – and his demise became the subject of debate and conjecture. Some rumours said he’d died of a drug overdose or burned to death on stage. Others said he was in a mental institution, or in prison for murdering his girlfriend. Barring a couple of sold out Australian tours in 1979 and 1981, nothing had been heard of him for almost 30 years.\u003c\/p\u003e\n\u003cp\u003eBut the tide began to turn in 1996, when journalist Craig Bartholemew set out to get to the bottom of the mystery. After many dead ends, he found Rodriguez alive, well, free and perfectly sane in Detroit, ending years of speculation. Rodriguez himself had no idea about his fame in South Africa (the album had gone multi-platinum, Rodriguez has received not so much as a Rand in royalties), and embarked on a triumphant South African tour followed, filling 5,000 capacity venues across the country.\u003c\/p\u003e\n\u003cp\u003eNow, Light In The Attic is set to commit \u003cem\u003eCold Fact\u003c\/em\u003e and \u003cem\u003eComing From Reality\u003c\/em\u003e to CD for an entire new audience, who can finally find out why – halfway across the world – Rodriguez is spoken of in the same reverent tones as The Doors, Love and Jimi Hendrix.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRodriguez receives royalties from the sale of this release\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"LITA","offers":[{"title":"Default Title","offer_id":26846312007,"sku":"","price":1100.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/large_550_release-test-image.jpg?v=1579895554"},{"product_id":"the-bedroom-tapes-a-compilation-of-minimal-wave-from-around-the-world-1980-1991","title":"The Bedroom Tapes - A Compilation of Minimal Wave From Around The World (1980-1991)","description":"A Compilation of Minimal Wave From Around The World (1980-1991), The Bedroom Tapes features rare, unreleased, and licensed tracks all the way from Belgium to Australia to Japan. The Bedroom Tapes excitedly marks Minimal Wave’s 66th release and is a follow up in the series to The Lost Tapes, The Found Tapes, The Hidden Tapes and of course The Minimal Wave Tapes. The twelve artists on this compilation mostly recorded their music onto 4-track tape in their bedroom studios. The sounds on this record range from German new wave to experimental electronic, to early industrial body music from the Swedish countryside, to dreary melodic minimal synth. The theme is music recorded in the bedroom for listening in the bedroom. The Bedroom Tapes presents songs from Pink Elln, Karen Marks, Disque Omo, Vorgruppe, Iham\/Echo, Perfect Mother, Arvid Tuba, Subject, Denial, Unovidual, Aural indifference, and Autumn all lovingly remastered. Limited edition of 999 numbered copies, pressed on 180 gram vinyl, and housed in heavy printed jacket accompanied by printed inner jacket with artists photos and info. Thank you to all the artists and friends for support in making this happen.\u003cbr\u003e\n\u003cdiv style=\"overflow: hidden; position: absolute; top: -5000px; height: 1px;\"\u003eA Compilation of Minimal Wave From Around The World (1980-1991), \u003cb\u003eThe Bedroom Tapes\u003c\/b\u003e features rare, unreleased, and licensed tracks all the way from Belgium to Australia to Japan. The Bedroom Tapes excitedly marks Minimal Wave’s 66th release and is a follow up in the series to \u003ca href=\"https:\/\/www.discogs.com\/Various-The-Lost-Tapes\/master\/3367\"\u003e\u003cb\u003eThe Lost Tapes\u003c\/b\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/www.discogs.com\/Various-The-Found-Tapes\/release\/1160291\"\u003e\u003cb\u003eThe Found Tapes\u003c\/b\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/www.discogs.com\/Various-The-Hidden-Tapes\/release\/2883009\"\u003e\u003cb\u003eThe Hidden Tapes\u003c\/b\u003e\u003c\/a\u003e and of course \u003ca href=\"https:\/\/www.discogs.com\/label\/578993-The-Minimal-Wave-Tapes\"\u003e\u003cb\u003eThe Minimal Wave Tapes\u003c\/b\u003e\u003c\/a\u003e. The twelve artists on this compilation mostly recorded their music onto 4-track tape in their bedroom studios. The sounds on this record range from German new wave to experimental electronic, to early industrial body music from the Swedish countryside, to dreary melodic minimal synth. The theme is music recorded in the bedroom for listening in the bedroom. The Bedroom Tapes presents songs from Pink Elln, Karen Marks, Disque Omo, Vorgruppe, Iham\/Echo, Perfect Mother, Arvid Tuba, Subject, Denial, Unovidual, Aural indifference, and Autumn all lovingly remastered. Limited edition of 999 numbered copies, pressed on 180 gram vinyl, and housed in heavy printed jacket accompanied by printed inner jacket with artists photos and info. Thank you to all the artists and friends for support in making this happen. Sound samples linked below. Release date: March 6th, 2018.\u003c\/div\u003e","brand":"Minimal Wave","offers":[{"title":"Default Title","offer_id":12293307236434,"sku":"","price":795.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/MW066_A_568.jpg?v=1579895370"},{"product_id":"thom-yorke-tomorrow-s-modern-boxes-white-vinyl","title":"Thom Yorke - Tomorrow´s Modern Boxes (White Vinyl)","description":"Tomorrow’s Modern Boxes is an eight-track record from Thom Yorke, available on vinyl and CD. A record born of silver darkness, pressed onto heavyweight 180g white vinyl completed with undersize 75mm centre labels, housed within heavy white board inner and outer sleeves. These are printed with a metallic silver laminate then multi-tone black and a striking neon green.","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":12383834996818,"sku":"","price":785.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/Thom_Yorke_-_Tomorrows_Modern_Boxes.jpg?v=1579895417"},{"product_id":"marie-davidson-adieux-au-dancefloor","title":"Marie Davidson - Adieux Au Dancefloor (Ltd. Edition)","description":"Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. \u003cbr\u003eWith Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.\u003cbr\u003e\n\u003cdiv style=\"overflow: hidden; position: absolute; top: -5000px; height: 1px;\"\u003eCititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. \u003cbr\u003e With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.\u003c\/div\u003e","brand":"Minimal Wave","offers":[{"title":"Default Title","offer_id":12466868781138,"sku":"","price":850.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/CS623567-01A-BIG.jpg?v=1527277052"},{"product_id":"dustin-wong-takako-minekawa-good-willsmith-exit-music-heart","title":"Dustin Wong + Takako Minekawa + Good Willsmith - Exit Music Heart","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e“Exit Future Heart”\u003c\/em\u003e follows three Good Willsmith albums released on Umor Rex and three albums by Dustin Wong and Takako Minekawa on Thrill Jockey. Recorded live at home in Chicago over the course of one night when Wong and Minekawa passed through on tour,\u003cem\u003e“Exit Future Heart”\u003c\/em\u003e showcases a program of spontaneous compositions that flow through mutated tropes of rock music, focused ambient\/kosmische synthesis, and expanses of raw textural sculpting. The singular performance styles and improvisatory gestures of each member of the quintet fuse into a delicate interplay charged more by open spaces and deep listening than by overload or abandon.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eTakako Minekawa and Natalie Chami chase each other through the mix with layered angelic vocalizations that flit from operatic highs to close-mic whispers. Minekawa’s flute-like Casio tones, prominently featured in her catalog of seminal shibuya-kei pop albums starting in the mid 90s, cut through in moments of colorful melody and hover in clouds of restrained pointillist harmony. As in her solo recordings under the name TALsounds, Chami’s signature Juno organ chords and cascading monophonic Moog blips compound through live looping and processing into the undulating bedrock of each session. Dustin Wong’s guitar shines in passages of crystalline clean tone picking and rockets into bursts of effect-soaked abstraction, capturing the glowing precision of his solo albums on Thrill Jockey and the optimistic energy of his his former noise\/rock band Ponytail. When he’s not painting the mix with smeared arpeggios and quivering synth textures, Doug Kaplan (AKA MrDougDoug, one half of Chicago label Hausu Mountain) locks with Wong into tiered guitar riffs that conjure some image, however skewed, of a rock band’s twin six-string leads. In step with the frantic, style-mashing electronic arrangements of his solo project Mukqs, Maxwell Allison (the other half of Hausu Mountain) steers a rig of synths and drum machines through shifting IDM-esque bass and drum patterns, steady krautrock-inspired beats, and bleeping 8-bit square wave patches.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eChanneling a varied palette of sounds at their disposal, the Dustin Wong + Takako Minekawa + Good Willsmith quintet’s extended improvisations segue through contrasting atmospheres and emotional zones. Rock backbeats pulse behind dense clouds of guitar and voice before fading into clattering arrhythmia. Empty passages embodying the Japanese notion of “ma” (or intervals of negative space) erupt for short moments with individual interjections before sinking back into near nothingness. The album ends with the quintet’s most frankly affecting session, whose title 切ない evokes a sense of melancholic ennui or a moment of twilit reflection. The voices of Minekawa and Chami fold together and crest over brooding chords into wailed climaxes of wordless melody, building into a holy meadow of harmonies that thicken with slow-drip synth and guitar embellishments. Taken as a whole, the quintet’s recordings pluck tones and strategies from a wide axis of seemingly opposed traditions: sentimental pop\/rock-informed songcraft vs. no-holds-barred improv; self-nullifying drone and ambient stasis vs. constantly shifting electro-acoustic activity. Exit Future Heart stands as a singular document of five friends having fun, piecing together a hybridized strain of live performance that seems to gel almost too perfectly to be improvised, but that proudly displays too many idiosyncrasies and happy accidents to be composed.\u003c\/p\u003e","brand":"Umor Rex","offers":[{"title":"Default Title","offer_id":12517647712338,"sku":"","price":500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/268x0w.jpg?v=1528485780"},{"product_id":"panda-bear-buoys-indie-exclusive-red-marble-lp","title":"Panda Bear - Buoys (Indie Exclusive Red marble LP)","description":"\u003cul\u003e\n\u003cli\u003eLimited edition heavyweight 180 gram red and white marbled vinyl LP\u003c\/li\u003e\n\u003cli\u003eTip-on gatefold LP jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eBuoys\u003c\/i\u003e artwork by Danny\u003cbr\u003e Perez, photography by Fernanda Pereira, and additional design by Rob\u003cbr\u003e Carmichael, SEEN\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Domino","offers":[{"title":"Default Title","offer_id":21365570109522,"sku":"","price":550.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/Buoys_LPcolored_product_image_revised.jpg?v=1569159345"},{"product_id":"gustavo-cerati-satelite-cerati","title":"Gustavo Cerati  - Satélite Cerati","description":"Un extraordinario compilado de canciones en las cuales Gustavo Cerati participó como invitado junto a grandes artistas.Ahora llegó el momento, y es una excelente manera de dar nueva visibilidad a estas obras que también forman parte del universo infinito de Cerati.Es una colección de hits inolvidables, gemas olvidadas y canciones sorprendentes que reflejan nuevas e inesperadas facetas de la voz y la guitarra de Gustavo, además de versiones en vivo que son realmente antológicas.En total son 14 canciones grabadas entre 1998 y 2009, a dúo con artistas tan increíbles y variados como Luis Alberto Spinetta, Mercedes Sosa, Andy Summers, Bajofondo, Fabiana Cantilo, Leo García, Emmanuel Horvilleur, Lito Vitale, D-Mente, No Lo Soporto, 202, Telefunka y Los DuraBeat (la versión en vinilo tendrá 9 de estas obras).La lista de temas incluye composiciones del propio Cerati (como “Té para tres” y “Zona de promesas”), obras clásicas del rock internacional: “Bring on the night” (“Tráeme la noche”) de The Police y “I’m losing you” de Lennon e himnos del rock argentino: “Eiti leda” de Seru Girán y “Bajan” de Luis Alberto Spinetta.","brand":"Sony","offers":[{"title":"Default Title","offer_id":21403007909970,"sku":"","price":1750.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/41940276220_d98d0884ce_b.jpg?v=1550864307"},{"product_id":"zoe-rocanlover","title":"Zoé - Rocanlover","description":"Los álbumes Zoé (2001) y Rocanlover (2003) marcan el inicio de una de las bandas mexicanas revolucionarios en el Rock en español, su sonido indie y alternativo los lleva a sonar en México y USA aún antes de que su primer CD llegara a tiendas. Por la época en que se editaron, era impensable la versión en vinilo, pero ahora tras esta refrescante oleada de vinyl, Sony Music. \u003cbr\u003e Rocanlover, en continuación de su sonido característico sale a la venta 2 años después en CD (2003), y en este 2017 en vinilo por primera vez, cuando está por cumplirse su 15º aniversario. Este álbum de 1 LP, también con fundas interiores y los 11 temas originales + el bonus track “Soñe”, mismo que en su época de CD también apareció como bonus, ya que se extrajo del soundtrack Amarte Duele, y que de alguna manera fungió como sencillo paralelamente a Peace \u0026amp; Love, Veneno y Love.","brand":"Sony","offers":[{"title":"Default Title","offer_id":21403384283218,"sku":"","price":850.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/zoe_rocanroler-559x559.jpg?v=1579895487"},{"product_id":"john-frusciante-niandra-lades-and-usually-just-a-t-shirt-2xlp-gatefold","title":"John Frusciante - Niandra LaDes And Usually Just A T-shirt (2xLP gatefold)","description":"\u003cdiv class=\"gmail_default\" style=\"font-family: tahoma,sans-serif; color: #0b5394;\"\u003ePrimer disco en solitario de John Frusciante. Entre 1990 y 1992, el guitarrista hizo una serie de grabaciones de 4 pistas, que en ese momento no estaban destinadas a su lanzamiento comercial. Después de dejar la banda Red Hot Chili Peppers en 1992, Frusciante fue animado por amigos a lanzar el material que escribió en su tiempo libre durante las sesiones de Blood Sugar Sex Magik.\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\" style=\"font-family: tahoma,sans-serif; color: #0b5394;\"\u003eOriginalmente lanzado en el sello American Recordings de Rick Rubin en 1994, Niandra LaDes es una obra desconcertante de belleza torturada. Frusciante toca varias guitarras acústicas y eléctricas, experimentando con capas de voces, piano y efectos de cinta inversa. Al canalizar los fantasmas de Syd Barrett y Skip Spence, sus letras son a la vez totalmente personales y voluntariamente opacas. El juego rápido y angular de Frusciante muestra cuán clave fue en la evolución de los Chili Peppers lejos de sus raíces de funk-rock. Su versión de \"Big Takeover\" deconstruye a la perfección la original de los Bad Brains con un tempo relajado, una guitarra de doce cuerdas y un toque feroz en la melodía.\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\" style=\"font-family: tahoma,sans-serif; color: #0b5394;\"\u003eLa segunda parte del álbum, trece temas sin título que Frusciante define como una pieza completa, “Usually Just A T-Shirt”, son instrumentales en guitarra. Las expresiones dispersas, el contrapunto delicado y las texturas etéreas recuerdan a Michael Rother de Neu \/ Harmonia o Vini Reilly de The Durutti Column. En la portada, Frusciante aparece en el arrastre de la década de 1920, un guiño al alter ego de Marcel Duchamp Rrose Sélavy, que proviene de la película Desert in the Shape de Toni Oswald. Este primer lanzamiento en vinilo ha sido cuidadosamente remasterizado y aprobado por el artista. 2xLP gatefold y fundas impresas.\u003c\/div\u003e","brand":"Superior Viaduct","offers":[{"title":"Default Title","offer_id":21416217182290,"sku":"","price":1585.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/599f68b2a58b8_main.jpg?v=1550864333"},{"product_id":"devo-hardcore-vol-2","title":"Devo - Hardcore Vol. 2","description":"\u003cspan\u003eDEVO’s Hardcore documents the group’s beginning as pre-punk outcasts in the fertile Akron, Ohio, underground rock scene. Spawned at the nearby college of Kent State, site of the infamous May 4 Massacre, DEVO formed as a conceptual art project armed with the radical philosophy of de-evolution. Brothers Mothersbaugh (Mark, Bob and Jim) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped up an otherworldly brand of “devolved blues” that could hold its own alongside the beatnik groove of 15-60-75 (a.k.a. The Numbers Band) or the primal rock poetry of The Bizarros. \u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eRecorded on various four-track machines and in tiny studios, basements and garages between 1974-1977, Hardcore reveals their strikingly clear vision: rock ’n’ roll stripped bare of its collective cool and jerked back into propaganda fit for post-modern man. It’s no surprise that these transmissions would soon catch the eye and ear of Brian Eno, who later produced their landmark 1978 debut album. Noisy synth, strangled guitar chops and a primitive rhythmic thud power the early DEVO sound. Threaded beneath it all are lyrical themes of post-McCarthy paranoia, middle-class ephemera and DEVO’s long-running topic of choice: sex, or lack thereof. \u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eVolume 2 digs further into the band’s cranial bunker with the caveman hit “Be Stiff,” the space age surf-blues of “Clockout” and even a demented take on bubblegum pop, “Goo Goo Itch.” This 2xLP set includes four previously unreleased tracks: “Man from the Past,” “Doghouse Doghouse,” “Hubert House” and “Shimmy Shake.”\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eSuperior Viaduct and Booji Boy Records are proud to present DEVO’s Hardcore to a new generation of spuds, lovingly packaged with Moshe Brakha’s stunning cover photography. As David Bowie said in 1977, DEVO is indeed “the band of the future.”\u003c\/span\u003e","brand":"Salvaje Music Store","offers":[{"title":"Default Title","offer_id":21875180044370,"sku":"","price":885.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/8571760032560_main.jpg?v=1553887322"},{"product_id":"yves-tumor-safe-in-the-hands-of-love-2xlp","title":"Yves Tumor - Safe In The Hands of Love (2xLP)","description":"\u003cul\u003e\n\u003cli\u003eStandard edition\u003c\/li\u003e\n\u003cli\u003eBlack vinyl\u003c\/li\u003e\n\u003cli\u003eGatefold sleeve\u003c\/li\u003e\n\u003cli\u003e12\" insert\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"warp","offers":[{"title":"Default Title","offer_id":22588773826642,"sku":"","price":1125.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/108580.jpg?v=1579895485"},{"product_id":"lambchop-mr-m","title":"Lambchop - Mr. M (2xLP)","description":"\u003cspan\u003eReceived an 8.3 Best New Music rating from Pitchfork. It’s been nearly two decades since LAMBCHOP released its first album, at the time pronouncing itself “Nashville’s most fucked-up country band.” Provocative it may have been, but the description made sense: at the heart of all that ruckus was a band at once defying and embracing the musical legacy of its hometown. Since then, Lambchop has evolved into an accomplished ensemble, adding palpable depth and substance to singer-songwriter-guitarist KURT WAGNER’s songs—and the band sounds as commanding as ever on its 11th album, Mr. M, a collection of meditations on love and loss and the detritus of everyday existence. As on past Lambchop records, many of the songs on Mr. M are framed with lush strings, and there’s a restrained undercurrent of distortion and discord. The core of the music remains the cyclical picking of Wagner’s guitar and the soft, warm croaking of his voice. The songs are spacious, even dreamy, as on the Countrypolitan instrumental “Gar,” while the lyrics and titles are rich with allusions, some of them obvious, others seemingly unknowable. LP includes four bonus tracks.\u003c\/span\u003e","brand":"merge","offers":[{"title":"Default Title","offer_id":22605898940498,"sku":"","price":600.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/673855043418_main.jpg?v=1559331748"},{"product_id":"cass-mccombs-humor-risk","title":"Cass McCombs - Humor Risk","description":"\u003cspan\u003eHumor Risk is Cass McCombs' second full-length release of 2011, a testament to his hard work. It is an attempt at laughter instead of confusion, expressed musically through its rockier tempo, infectious melodies and typical wry lyricism.\u003c\/span\u003e","brand":"Domino","offers":[{"title":"Default Title","offer_id":22606418411602,"sku":"","price":522.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/1tke1bf8w2_file.jpg?v=1559330553"},{"product_id":"lower-dens-the-competition-limited-edition-clear-vinyl","title":"Lower Dens - The Competition (Limited Edition Clear Vinyl)","description":"The fourth album from Lower Dens, The Competition is a pop album with a concept both emotionally and politically urgent, dealing with modern capitalism and its psychotic effects. Its 11 songs range in scope from the personal to the political, but overall express an epiphany: you need radical and unquestioning compassion for yourself if you’re to reimagine what society could be.","brand":"sms","offers":[{"title":"Default Title","offer_id":31379701727314,"sku":"","price":625.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/lowerdens.jpg?v=1579894015"},{"product_id":"the-misz-the-lonely-crowd","title":"The Misz - The Lonely Crowd","description":"The Misz formed in Gent, Belgium in 1983 by Jan Van den Broeke and Dries Dekocker at a time when they had both just relocated from the country. They lived on the same street and collaborated freely with the limited equipment they had, which always centered around the Fostex 250 4-track tape recorder. They used an unknown monophonic synthesizer, casio synths, roland drum machines, hand drums and guitars through effects pedals, improvising with their voices and often included friends for additional voices and sounds. They captured these sonic experiments and sometimes released them on cassette (It Ain’t all Garbage, 1984 - Eddy Merckz, 1985 - Violence and Love, 1987) in very limited editions of 100-200. They were also included on numerous cassette compilations throughout the 1980s on labels like Mad In Belgium, The Cassette Factory, 3RIO Tapes, Minimart production, Fraction Studio, Cauchy Productions, Home Product, R.R. products, ZNS Tapes, and Body Records. They described themselves as young, immature and bit strange yet totally bold and fearless. They sang about what surrounded them from world politics and environmental catastrophes to love and lust. The songs on The Lonely Crowd span from various cassette releases and have been remastered from their original reel to reel tapes. The LP is pressed on 180 gram vinyl as a limited edition of 600 copies, the first 300 are in white and the remaining 300 in black. The cover and inner sleeve are printed on matte heavy card stock featuring photographic collages, typography and design by Peter Miles","brand":"Minimal Wave","offers":[{"title":"Default Title","offer_id":31380129022034,"sku":"","price":795.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/misz.jpg?v=1585337949"},{"product_id":"la-scenes-de-la-boheme-standing-in-the-rain","title":"La Scenes de la Boheme - Standing In the Rain (Black edition)","description":"Minimal Wave is proud to present an LP of 6 songs by cult U.K. project Scenes de la Bohème, entitled ‘Standing in the Rain’. Scenes de la Bohème was formed by Anthony Waites in London, in 1981 with an innate desire to create poetic, subversive pop music. Without any intention of ever signing to a record label, he self-released one untitled 7” single in 1982, an edition of 150 copies, with money funded to him by his parents for his 21st birthday. He often used borrowed synthesizers to record his music in various bedroom studios and friends’ houses supplemented by his beloved cherry red Hagstrom guitar. The two songs that he released were ‘Zara’, an earworm of a pop song about a longed for girl standing in the rain, and ‘The Tale of The Butterfly’. Unlike many other bands of the time, he never sent the single or his demos to John Peel, The NME, Beggars Banquet, nor Rough Trade and so it was lost to obscurity until a few record collectors ‘discovered’ it some 15 years ago. Scenes de la Bohème’s Untitled 7” single continues to fetch exorbitant prices in collectors’ circles so we are especially happy to be able to make this release available in the form of a newly mastered mini LP, which includes four unreleased tracks that Waites had recorded at the time. The LP is pressed on 180 gram vinyl, as a limited edition of 600 (300 black and 300 transparent yellow), and features beautifully restored images of Waites and his main partner in crime, Seamus Fitzsimmons. The inner sleeve holds Waites’ story, his musical inspirations and explorations as an Irish youth growing up in London in the early 1980s and discovering the avant-garde","brand":"Minimal Wave","offers":[{"title":"Default Title","offer_id":31380158546002,"sku":"","price":795.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/scenes.jpg?v=1579894007"},{"product_id":"kim-gordon-no-home-record","title":"Kim Gordon - No Home Record LP","description":"With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus. Most recently, Gordon has been hitting the road with Body\/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music.\u003cbr\u003e\u003cbr\u003eIt makes sense that this “American idea” (as Gordon says on the agitated rock track “Air BnB”) of purchasing utopia permeates the record, as no place is this phenomenon more apparent than Los Angeles, where Gordon was born and recently returned to after several lifetimes on the east coast. It was a move precipitated by a number of seismic shifts in her personal life and undoubtedly plays a role in No Home Record’s fascination with transience. The album opens with the restless “Sketch Artist,” where Gordon sings about “dreaming in a tent” as the music shutters and skips like scenery through a car window. “Even Earthquake,” perhaps the record’s most straightforward track embodies this mood; Gordon’s voice wavering like watercolor: “If I could cry and shake for you \/ I’d lay awake for you \/ I got sand in my heart for you,” guitar strokes blending into one another as they bleed out across an unstable page. Front to back, No Home Record is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it.","brand":"sms","offers":[{"title":"Default Title","offer_id":31380648755282,"sku":"","price":850.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/kim-gordon_no-home-record.jpg?v=1579894001"},{"product_id":"nick-drake-bryter-layter","title":"Nick Drake - Bryter Layter","description":"Continuing the ReDISCovered vinyl series of Nick Drake’s albums, Island Records presents his second album Bryter Layter in the Back To Black format.\u003cbr\u003e\u003cbr\u003eThe album has been remastered at Abbey Road from master tapes by the album's original engineer John Wood. Although the first generation master tapes were found to be unusable, Wood had made a safety copy of the album in 1970 and it is from this that the new album has been struck.\u003cbr\u003e\u003cbr\u003eThis release is on 180gsm heavyweight vinyl and comes with a selection of downloadable electronic formats, including either high-resolution files, the usual MP3 files or unique Dubbed-From-Disc files for that authentic play-back experience.\u003cbr\u003e","brand":"sms","offers":[{"title":"Default Title","offer_id":31427644457042,"sku":"","price":750.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/nickdrake.jpg?v=1579894039"},{"product_id":"nick-drake-pink-moon","title":"Nick Drake - Pink Moon","description":"Pink Moon, Nick Drake’s third and final album, was originally released on Island Records in 1972 and is the record that made him the cult figure he remains to this day. Recorded in November of 1971, the beautifully spare 11-song set only features Drake's vocals, guitar, and piano. The music comes across as peaceful and unadulterated through its richly woven textures of tone and melody. Although the story behind his music is undeniably tragic, what he left behind here is truly breathtaking. 180g vinyl in a gatefold jacket with printed inner sleeve.\u003cbr\u003e\u003cbr\u003e\"His voice conveys, in its moans and breathy whispers, an alluring sensuality, but he sings as if he were viewing his life from a great, unbridgeable distance. That element of detachment is chilling. To reinforce it, messages of isolation gradually float to the surface of the songs' spare, eloquent melodies.\" - Rolling Stone, Anthony DeCurtis\u003cbr\u003e\u003cbr\u003e\"He arrived at midnight and we started. It was done very quickly. After we had finished I asked him what I should keep, and he said all of it, which was a complete contrast to his former stance. He came in for another evening and that was it. It took hardly any time to mix, since it was only his voice and guitar, with one overdub only. Nick was adamant about what he wanted. He wanted it to be spa","brand":"sms","offers":[{"title":"Default Title","offer_id":31427667165266,"sku":"","price":900.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/pinkmoon.jpg?v=1579894040"},{"product_id":"richard-hawley-richard-hawley","title":"Richard Hawley - Richard Hawley (Ltd. 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The wall of guitar that rips through opener “Angel” would firmly signal their idealistic new sonic direction, but a glimpse of their shades-on-in-the-club urban chic is present in the rearview mirror on “Risingson”, “Black Milk” and “Group Four”. Founding member Andrew Vowles left the group after the recording of Mezzanine, displeased with the turn the band had taken. The album would prove to be the band’s most successful, entering the UK album chart at number one. Featuring outstanding contributions from Cocteau Twins’ Liz Fraser (“Teardrop”, “Black Milk”, “Group Four”) and longtime comrade Horace Andy (“Angel”, “Man Next Door”, “Exchange”) alongside increased vocal spots from 3D and Daddy G after Tricky’s departure to focus on his solo career. The introduction of producer Neil Davidge to the fold would add a special cinematic edge to the album and all future output from the band. Mezzanine continues to be perfect fodder for movies and television nearly 20 years on, with contributions to The Matrix, Snatch, House and more bolstering the band’s fanbase over the years. After being out of print for 15 years, with spotty bootleg pressings popping up every so often, the crown jewel of Massive Attack’s rich discography is finally available again on double vinyl, with all original samples intact.","brand":"sms","offers":[{"title":"Default Title","offer_id":31428232020050,"sku":"","price":850.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/MEZZANINE.jpg?v=1579894026"},{"product_id":"kraftwerk-autobahn-1lp","title":"Kraftwerk - Autobahn","description":"An epic ode to the joys of highway travel, Autobahn wraps a mesmerizing beat around a sampled collage of car horns, engine noise, whirring tires and radio crackle so infectious that US pop press at the time declares that Kraftwerk's music does for driving what the Beach Boys has done for surfing! The impact of this album is so strong that Spin magazine includes it in their list of The15 most influential albums not recorded by The Beatles, Bob Dylan, Elvis or the Rolling Stones.","brand":"sms","offers":[{"title":"Default Title","offer_id":31428479647826,"sku":"","price":750.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/kraftwerk.jpg?v=1579894006"},{"product_id":"massive-attack-blue-lines-1lp-180g","title":"Massive Attack - Blue Lines","description":"There's a reason that Massive Attack's Blue Lines frequently appears in \"greatest albums\" lists. To put it simply, it's brilliant, and arguably remains the Bristol-based outfit's finest work to date (though some would argue that the dark and paranoid Mezzanine is possibly better). As this weighty vinyl reissue proves, it's lost none of its hazy, dub-propelled trip-hop charm. All-time classics such as \"Unfinished Sympathy\", \"Safe From Harm\" and \"Hymn of the Big Wheel\" have lost none of their soulful, mood-enhancing brilliance, while lesser celebrated cuts such as \"Five Man Army\" and \"Lately\" still sound great despite their vintage.","brand":"sms","offers":[{"title":"Default Title","offer_id":31428490428498,"sku":"","price":885.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/bluelines.jpg?v=1587758180"},{"product_id":"sade-best-of-sade-2lp-180g","title":"Sade - Best Of Sade (2xLP)","description":"Sade’s “The Best of Sade” album was released on 31st October 1994. It is a compilation of her greatest hits and includes “Jesebel”, “Like a Tattoo” and “Pearls”.","brand":"sms","offers":[{"title":"Default Title","offer_id":31428519985234,"sku":"","price":790.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/sade.jpg?v=1574802417"},{"product_id":"pulp-different-class-1lp","title":"Pulp - Different Class","description":"First US vinyl pressing of this 90s Brit-Pop masterpiece. Rare in the import vinyl version. This Plain Recordings pressing features quality 180g vinyl and exact reproduction of the iconic cover.","brand":"sms","offers":[{"title":"Default Title","offer_id":31428830068818,"sku":"","price":900.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/different.jpg?v=1579895536"},{"product_id":"pintura-roja-pinceladas-musicales","title":"Pintura Roja - Pinceladas Musicales","description":"\u003cdiv class=\"release_description\"\u003e\n\u003cp\u003eThe nickname is superb, as unappealable: The University of Chicha. It is not an exaggeration that, 32 years after the release of Pinceladas Musicales, their second LP, the cumbia band Pintura Roja continues to be recognized as a monumental institution in the history of Peruvian music. Since its foundation in 1984, Pintura Roja has served as the quarry of the greatest exponents of “chicha” music, cultivating in the classrooms of its academy artists like Princesita Mily, considered one of the first women to integrate a chicha band, and Muñequita Sally, the disappeared queen of Andean folk, in addition to the legendary vocalist Toño Centella and the remembered Jhonny Orosco, founder of Grupo Néctar.\u003c\/p\u003e\n\u003cp\u003ePintura Roja is revolution, innovation, success. It is a commitment to originality, as well as a history of defections and tragedies. But above all, Pintura Roja is Alejandro Zárate Espinoza, its founder, director, composer and lead guitarist. He is “The Gentleman of Cumbia”.\u003c\/p\u003e\n\u003cp\u003eBorn in the sierra of Lima, Zárate began his close relationship with music in the 70s, when he recorded a handful of songs for Discos Horóscopo with his cumbia group “Los Dinámicos”, sharing stage with important bands such as Los Ecos and The Grupo Celeste. Only his duties as a sailor distanced him from music for eight years.\u003c\/p\u003e\n\u003cp\u003eAt the beginning of 1984, Zárate, motivated after having attended a concert of Grupo Alegria in Ate Vitarte, decided to retake his old Andean tropical music project and recorded two songs for Discos Horóscopo. Originally, his new band was named \"Pintura Fresca” and it included former members of “Los Dinámicos”. This project included the incorporation of a female voice that would break schemes in the chicha scene, openly sexist and composed mostly by male presences.\u003c\/p\u003e\n\u003cp\u003eAt a time when female dancers were not yet seen on stages, women were usually found performing administrative roles or attending businesses inside and outside the concert premises. Few participated in musical productions; one of them, the great Noemi Felicita Huarcaya, singer of the Peruvian central highlands, had collaborated with Los Shapis in 1983, but there was still no record of a “frontwoman” leading the image of a chicha band. It is here that Zarate, who had already tried his luck with a female vocalist in “Los Dinámicos”, became interested in adding the jovial voice of a young girl brimming with charisma and grace.\u003c\/p\u003e\n\u003cp\u003eZárate begins scouting in his close environment and goes into the homes of his friends, until he meets Milagros Soto, the daughter of Jaime Soto, former member of “Los Dinámicos”. At that time, the young girl from Barrios Altos, who would adopt the stage name of Princesita Mily, was 17 years old, had never sung live and liked rock and pop artists like Cindy Lauper (perhaps one of her earliest influences as a singer). Nevertheless, Zarate relies on his intuition and convinces her to sign for Pintura Roja before discovering that her voice reached very high ranges and denoted freshness and courage\u003c\/p\u003e\n\u003cp\u003eIn 1984, Pintura Roja is called by Discos Horóscopo to record an LP before the end of the year. The group begins to capture the attention of the public, otherwise, curious about the voice of a woman that they initially confuse with the voice of a child, or perhaps attracted to their lyrics that reflected the dramas and common situations experienced daily by migrants and their first generations in Perú’s capital: the abandonment of parents and sentimental counterparts, the incipient poverty and the uncertain present in which they lived. The woman as a fighter, capable of facing alone adversity and triumphant over sexism, appears in some songs, giving it greater relevance the fact that a woman with the power that her voice gave her, sang to them from the top of the stage.\u003c\/p\u003e\n\u003cp\u003eIn 1985, Pintura Roja gained popularity on the radio and acquired a one-hour program on Radio Inca called “Pinceladas Musicales”. That year, readers of the newspaper El Popular choose it as the favorite band of the year.\u003c\/p\u003e\n\u003cp\u003eIt is for the second production that Zárate decided to seek support for Mily, who at that time danced and sang for up to six hours in each presentation. Zárate signs Sara Barreto, a 14-year-old huayno singer known as “Natachita”, and gives her a new artistic name: La Muñequita Sally.\u003c\/p\u003e\n\u003cp\u003eThe group starts touring constantly, by plane and bus, only resting on Tuesdays. They find success in Huarochirí, the land of Zárate, and in places like Tagore, Así es mi tierra, etc. They receive trophies, medals and diplomas, and survive in its first years to the bloodiest time of the twentieth century in Peru. While the country was torn apart in an armed struggle, the music of Pintura Roja, and especially the presence of Princesita Mily, help Peruvians cope with the pain caused by the economic and social misery that afflicted them.\u003c\/p\u003e\n\u003cp\u003eIn the middle of the internal war, Pintura Roja frequented the interior of the country, taking its music and cathartic message to all the regions of Peru. Many times the group would end up playing, without previous knowledge, for communities run by maoist terrorist group Shining Path, the Tupac Amaru Revolutionary Movement (\u003cspan class=\"caps\"\u003eMRTA\u003c\/span\u003e), or local drug traffickers. More than once they were branded as terrorists for wearing red clothing that simulates a painting spilled on a white polo shirt.\u003c\/p\u003e\n\u003cp\u003eIn the following years, Jhonny Orosco in the second guitar and Toño Centella as vocalist, would join the band among many other artists that would change the Peruvian cumbia scene forever.\u003c\/p\u003e\n\u003cp\u003eThe record producer, Jalo Nuñez del Prado, based in Madrid, leads this initiative, described as the “rescue, return, reappreciation and internationalization of the valuable catalog of Discos Horoscopo”. The collection titled “The 10 essential albums of Peruvian chicha” opts for luxury editions, totally re-mastered, of Peruvian artists essential to understand the fascinating chicha movement in 80s.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"sms","offers":[{"title":"Default Title","offer_id":31430037536850,"sku":"","price":1250.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0855\/7164\/products\/pintura.jpg?v=1579895531"},{"product_id":"john-foxx-and-the-maths-interplay-the-shape-of-things-2lp","title":"John Foxx And The Maths ‎– Interplay + The Shape Of Things (Limited Edition 2xLP)","description":"2014 release. Combined vinyl edition of John Foxx and Benge's 2011 albums Interplay (META 028CD\/LP) and The Shape of Things (META 029CD\/LP). 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